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Tbilisi, Paris, Tbilisi

Name: Tbilisi, Paris, Tbilisi
Director: Leila Abashidze
Released: 1980
Duration: 87 min

Representation Score

5.7/10

Fair

1980

Director

Leila Abashidze

Runtime

87 minutes

Average Rating

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New Showbiz Analysis

Tbilisi, Paris, Tbilisi succeeds in disrupting conventional cinematic trajectories by centering the Georgian diaspora's perspective. The film's strength lies in its exploration of cultural identity and the tension between East and West. However, the film remains ambiguous regarding the way different parts of someone's identity overlap. There is a lack of specific information concerning LGBTQ+ identities and disability, leaving these dimensions of the narrative unexamined. Ultimately, the film serves as a meaningful study of displacement and the human impulse toward reconnection, even if it does not explicitly address diverse social identities.

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Category Breakdown

Does Tbilisi, Paris, Tbilisi have LGBTQ+ representation?

Fair

The film does not include explicit romantic subplots or character descriptions confirming non-straight or non-cisgender identities. The score reflects a neutral stance within the traditional social frameworks typical of 1980s Georgian cinema.

How does Tbilisi, Paris, Tbilisi portray gender?

Fair

The story follows a group of emigrants, which inherently includes various gendered experiences. However, there is no evidence of challenging traditional gender roles or archetypes.

How racially and ethnically diverse is Tbilisi, Paris, Tbilisi?

Good

By centering a non-Western journey from Tbilisi to Paris, the film challenges Western-centric narratives. It provides a platform to explore ethnic identity and the experience of being 'othered' in Europe.

How does Tbilisi, Paris, Tbilisi represent religion and culture?

Good

The narrative prioritizes cultural nostalgia and the emotional pull of ancestral roots. This framework potentially critiques Western modernity by highlighting the spiritual connection to the Georgian homeland.

Does Tbilisi, Paris, Tbilisi include disability representation?

Minimal

There is no evidence in the film's synopsis or metadata to suggest the inclusion of characters with visible or invisible disabilities.

Present on Screen

Challenges Western-centric narratives by prioritizing a non-Western cultural journey.
Explores complex themes of displacement, nostalgia, and the tension between diaspora and homeland.
Provides a platform for examining ethnic identity within a European context.

Limited or Absent

Lacks visible or documented representation of characters with disabilities.
Provides no clear evidence of LGBTQ+ representation or non-straight/non-cisgender identities.
Gender representation remains tied to traditional archetypes without clear subversion.

Official Synopsis

Tbilisi in the beginning of the 20th century . Emigrants who moved from Tbilisi to Paris for various reasons cannot resist the feeling of nostalgia and decide to return to their homeland by air balloon .

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