The film focuses entirely on biological horror and the movement of the Injuu. There are no queer romantic arcs or non-cisnormative identities present in the narrative.

Female characters like Manami and Fumie drive the physical action but primarily serve as victims of bodily violation. The film relies on traditional horror archetypes rather than subverting gender hierarchies.

The cast appears homogeneous, reflecting its regional production origins. There is no evidence of diverse casting intended to disrupt ethnic or Anglo-centric norms.

Religious iconography is used through a priest to facilitate exorcism. This follows a standard good-versus-evil dichotomy rather than offering a critique of religious institutions.

Physical impairments and unconsciousness are used as plot devices to move the antagonist. These states serve as sources of spectacle rather than portraying disability with dignity.