
Haunts
1976

1973
PGDirector
Richard L. Bare
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
A tongue-in-cheek psycho movie in "Duo-vision." The entire feature employs the split-screen technique used in parts of Brian De Palma's "Sisters" that same year. As a handyman at a seacoast hotel, Randolph Roberts wears a monster mask while he kills and dismembers women with blond hair. Tiffany Bolling is a singer, Scott Brady is a detective and Edd "Kookie" Burns is a lifeguard. The music is the original organ score for the silent film "Phantom of the Opera."
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a traditional slasher framework centered on a killer's preference for blonde women. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.
Gender Representation
Lisa is positioned as a subject of peril, reinforcing the trope of female vulnerability. While Sgt. Ramsey leads the investigation, the dynamics favor conventional protector and protected roles.
Racial & Ethnic Diversity
The cast of suspects and staff lacks indication of a diverse or non-Anglo-Saxon majority. The setting reflects the homogeneous casting standards typical of 1970s American genre cinema.
Religious & Cultural Diversity
The narrative adheres to established crime and mystery conventions. It lacks any indication of anti-capitalist sentiment or the deconstruction of Western institutions and power dynamics.
Disability Representation
There is no mention of characters with visible or invisible disabilities. No data is available to assess how disability is portrayed or utilized within the plot.
Strengths
Areas for Improvement
AI Analysis
Wicked, Wicked operates within the standard genre expectations of 1973, relying on established tropes rather than social subversion. The narrative structure prioritizes a traditional mystery framework where characters fulfill predictable roles. The film lacks meaningful representation across most identity categories. It focuses on a localized crime investigation that reinforces conventional gender dynamics and homogeneous casting typical of the era. Ultimately, the work does not attempt to disrupt social hierarchies or offer a critique of systemic power, functioning instead as a straightforward genre piece.

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