
The Calling
2014

2019
RDirector
Jim Mickle
Runtime
115 minutes
Average Rating
No ratings yetSynopsis
In 1988, Philadelphia police officer Thomas "Locke" Lockhart, hungry to become a detective, begins tracking a serial killer whose crimes defy scientific explanation. When the killer mysteriously resurfaces nine years later, Locke's obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film centers on a traditional, heteronormative pursuit. There is a notable absence of LGBTQ+ characters or non-cisnormative identities, framing all romantic tension through a conventional male-female dynamic.
Gender Representation
The narrative follows established noir tropes where a male protagonist drives the plot through singular obsession. While the female lead possesses supernatural agency, she primarily functions as a catalyst for the man's journey.
Racial & Ethnic Diversity
Casting and setting lean toward a homogeneous demographic consistent with urban noir aesthetics. The film lacks significant racial blending or characters of color in positions of high agency.
Religious & Cultural Diversity
The story operates within a standard Western framework of law enforcement and individualistic pursuit. It does not engage in anti-Western discourse or deconstruct institutions like the family or the state.
Disability Representation
There is no discernible representation of visible or invisible disabilities or neurodivergence. The film does not utilize disability as a narrative device or tool for character development.
Strengths
Areas for Improvement
AI Analysis
In the Shadow of the Moon is a genre-driven thriller that prioritizes atmospheric noir and temporal mystery over social commentary. The film relies on traditional tropes of obsession and pursuit, which limits its engagement with diverse perspectives. The narrative architecture remains largely conventional, focusing on a standard demographic framework. It bypasses opportunities to subvert social hierarchies or provide intersectional representation, functioning instead as a character study within a narrow scope.

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