
Coming Home
1998

Representation Score
Good
1987
Director
John Duigan, Chris Noonan
Runtime
437 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Vietnam (1987) offers a sophisticated critique of mid-century social and political structures. It avoids straightforward storytelling in favor of a complex, multifaceted view of history and authority. The series highlights the erosion of traditional social norms as a key element of historical progress. It uses the family unit to mirror broader political and social upheavals of the 1960s. While the work does not feature high-profile diverse casting, its narrative structure is fundamentally progressive. It effectively deconstructs Western institutions by presenting the state and the family as sources of instability.
Category Breakdown
The story revolves around the Goddard family during the Vietnam War, but there are no central LGBTQ+ characters or narratives that challenge the assumption that everyone is straight or cisgender.
The series challenges traditional gender roles by focusing on Megan, a rebellious teenager whose defiance creates tension within the family. Her actions provide a nuanced counter-narrative to the submissive roles typically expected of women in that era.
The story centers on the Australian Goddard family with a Caucasian perspective. Although the setting includes Saigon, the non-Anglo-Saxon viewpoints serve mainly as a backdrop to the Western experience.
The series critically examines institutions by deconstructing patriotic duty through the lens of family disharmony. It emphasizes the human cost of political decisions over glorifying military intervention.
Physical trauma is shown through a platoon's encounter with a minefield. These scenes function as plot devices to highlight the brutality of war rather than delving into the lived experience of those with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The trials and tribulations of the Goddard family after the entry of Australia into the Vietnam War.

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