
I Am Not a Hipster
2013

2012
Director
Armando Bo
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
In the unique world of the Buenos Aires celebrity-impersonator scene, “Elvis” Gutiérrez is a star. By day, though, he must contend with a dead-end factory job and an ex-wife who worries about how his obsessive behavior affects their young daughter, Lisa Marie. Feeling more connected to his persona as the King than to his own family, Gutiérrez retreats from reality until a tragic accident interrupts his plans and forces him to grapple with his real-world responsibilities.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks prominent LGBTQ+ characters or narratives. The story focuses strictly on heteronormative domestic struggles and the protagonist's obsession with a historical male icon.
Gender Representation
Gender dynamics lean toward traditional structures. While the ex-wife possesses agency through her concern for their daughter, her role remains largely reactionary to the male protagonist's psychological drift.
Racial & Ethnic Diversity
Set in Buenos Aires, the film reflects a localized cultural milieu. The narrative focuses on class-based identity rather than racial intersectionality or diverse casting to challenge norms.
Religious & Cultural Diversity
The film explores the spectacle of identity and the struggle of the individual against mundane working-class existence. It disrupts idealized family tropes but lacks systemic critique.
Disability Representation
There is no significant representation of visible or invisible disabilities. The protagonist's obsession is framed as a psychological struggle with escapism rather than a neurodivergent narrative.
Strengths
Areas for Improvement
AI Analysis
The film is a character-driven drama that prioritizes a psychological study of obsession over social subversion. It centers on a male protagonist's identity crisis within the Argentine impersonator circuit, which keeps the narrative anchored in conventional social structures. While the film offers a nuanced look at the friction between celebrity persona and domestic reality, it lacks intentional intersectional complexity. The representation of women and various identities remains largely within expected demographic parameters. Ultimately, the work functions as a traditional drama. It explores class and family dysfunction but does not actively challenge systemic hierarchies or provide diverse representation across marginalized groups.

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