The film focuses on heteronormative romantic entanglements and female companionship. There is no explicit depiction of non-cisnormative identities or same-sex intimacy.

The narrative centers on female agency and economic independence. Marie Latour's decision to perform underground abortions subverts traditional patriarchal wartime tropes.

The cast is predominantly white and French, reflecting the historical setting of 1940s France. The film emphasizes class distinctions over racial blending.

The film utilizes moral relativism to explore situational ethics. It critiques traditional institutions like marriage and state authority during a period of systemic collapse.

The husband's war injury serves as a catalyst for shifting domestic power. However, disability is used as a narrative device rather than a central identity.