
Willy Fog: Around the World in 80 Days
1995

Representation Score
Minimal
1988
Director
Geoff Collins
Runtime
49 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Around the World in 80 Days (1988) functions as a conventional adventure-comedy that adheres to established historical clichés. The narrative focuses on a Western-centric perspective, prioritizing the journey of a British aristocrat. The film relies on traditional character archetypes, such as the master-servant dynamic between Fogg and Passepartout. This structure offers limited opportunities for diverse representation or challenging social hierarchies. Ultimately, the production follows a standard late-1980s animation framework. It lacks the narrative depth required to subvert colonial-era clichés or include diverse identities.
Category Breakdown
The story revolves around a bet and a police chase. There are no visible LGBTQ+ identities or challenges to the idea that everyone is straight or cisgender.
The story centers on Phileas Fogg and his butler, Passepartout. The focus on a bet between lords suggests a traditional patriarchal hierarchy with little involvement of women.
The plot follows an English lord traveling the world. The narrative seems driven by Western protagonists without indicating a non-Anglo-Saxon majority cast.
The film operates within a Western framework emphasizing British aristocratic roles. It reinforces traditional social hierarchies and Western institutional stability.
The synopsis provides no information regarding characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
English Lord Phileas Fogg has just become the main suspect in a daring bank robbery. Meanwhile, he has made a wager with several other lords that he will be able to travel around this world in a mere 80 days. Joined by his butler Passepartout, Fogg begins his journey. However, hot on his heels is Scotland Yard detective Mr. Fix.

1995

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