The film contains no depictions of non-cisnormative gender identities or same-sex intimacy. Character dynamics focus on surrealist archetypes and dream logic rather than sexual orientation.

Alice serves as a primary agent navigating a chaotic landscape, outmaneuvering adult figures. The Queen of Hearts provides a volatile, authoritarian presence that disrupts traditional feminine archetypes.

The production utilizes a primarily homogeneous cast reflecting 1933 casting norms. The narrative offers no meaningful intersectional representation or color-blind casting within its Victorian-era setting.

The film uses nonsense and moral relativism to disrupt linear logic. However, it lacks an explicit critique of Western institutions like religion or the family unit.

Eccentricities like the Mad Hatter's madness function as narrative tropes of absurdity. These characters act as surrealist symbols rather than authentic depictions of neurodivergence or disability.