The film operates within a strictly traditional heteronormative framework. There is no visible presence of queer identities or narratives exploring non-cisnormative dynamics.

The plot is heavily centered on masculine combat and political maneuvering. While Lucilla demonstrates significant political intelligence, the primary drivers of the story remain male-centric.

The film reflects the multicultural reality of the Roman Empire by including North African and Middle Eastern influences. Characters like Juba provide a necessary counter-narrative to Eurocentric views.

The narrative critiques autocratic power by framing the imperial institution as corrupt. It explores the tension between the virtue of the state and the honor of the individual.

Representation is limited and lacks character agency. Physical impairments are primarily used as markers of the era's brutality rather than exploring complex individual identities.