The film lacks explicit evidence of LGBTQ+ characters or narratives. The central plot focuses on a traditional marriage between Dan and Mary, offering no visible subversion of heteronormativity.

The story centers on a domestic dispute between a husband and wife. While the comedic exorcist might critique traditional authority, the roles largely follow standard genre archetypes.

The ensemble cast appears predominantly white and Anglo-Saxon. There is no indication of a non-white majority or casting intended to challenge historical racial norms.

The film uses an absurdist approach to deconstruct traditional institutions. By treating exorcism with comedic absurdity rather than spiritual reverence, it prioritizes secular, individualistic impulses over religious sanctity.

There is no mention of characters with visible or invisible disabilities. The narrative provides no evidence regarding the portrayal of neurodivergence or physical impairments.