The film uses surrealism to subvert heteronormative romantic tropes. While explicit non-cisnormative identities are not the primary focus, the narrative disrupts traditional courtship and gendered expectations.

Traditional gender hierarchies are undermined by the film's irrational, stylized environments. The story prioritizes intellectual and emotional complexity over conventional roles of dominance or submission.

The cast reflects the demographic realities of its 1985 production era and region. There is little evidence of significant racial blending or non-Anglo-centric casting.

The film excels at critiquing established institutions through a surrealist lens. It deconstructs rational Western frameworks by prioritizing subjective morality and systemic dysfunction.

There is no significant evidence regarding the portrayal of visible or invisible disabilities within the film.