
Lucrèce Borgia
1953

Representation Score
Fair
1990
Director
Lorenzo Onorati
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lucrezia Borgia (1990) is a sophisticated historical critique that emphasizes the active role of its female protagonist. While it does not include modern markers of diversity such as race and LGBTQ+ identity, it successfully challenges traditional gendered power structures. The film effectively questions traditional hierarchies by highlighting the strategic intellect of a woman. It also offers a critical look at Western religious and political institutions, presenting them through a lens of moral relativism and systemic corruption.
Category Breakdown
The film centers on heterosexual political alliances and romantic relationships. It depicts intimacy through traditional reproductive and diplomatic roles rather than through queer narratives.
Lucrezia challenges expectations of female passivity by using her intelligence and sexuality to drive the plot. She is a central figure rather than a passive participant.
The casting is primarily European, reflecting the demographics of Renaissance Italy. The film operates as a traditional period piece with a homogeneous cast.
The narrative critiques Western institutions like the Papacy through a lens of corruption. It portrays the Borgia family's actions as necessary survival within a system of systemic corruption.
There is no focus on visible or invisible disabilities. Characters are defined by their socioeconomic status and political utility rather than by physical or neurodivergent traits.
Present on Screen
Limited or Absent
Official Synopsis
After the death of her husband, Countess Lucrezia Borgia seeks to become the first lady of the Kingdom. To do so, she seduces any influential man with the help of her perverse circle and lead them in a spiral of lust and scheme.

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