
Fly, Little Angel
2001

Representation Score
Good
2009
TV-14Director
Alexander Olch
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Windmill Movie is a sophisticated, non-linear documentary that prioritizes the subjective experience of identity over traditional biographical stories. It succeeds by deconstructing the concept of 'truth' and centering the emotional journey of those involved. However, the film remains limited by its narrow social focus. The narrative appears rooted in a specific lineage of privilege, lacking significant racial diversity or overt characters who reflect more than one aspect of diversity. Ultimately, the film's strength lies in its intellectual framework. It uses a fragmented structure to explore the human condition and the complexities of a creative life, even if it lacks broad demographic visibility.
Category Breakdown
The film explores the psyche of Richard P. Rogers through a fragmented lens. While specific depictions of intimacy are not detailed, the non-traditional narrative structure suggests a departure from conventional biographical stories.
Susan Meiselas provides a significant role in driving the story by commissioning and driving the project's completion. Additionally, the film challenges traditional views of motherhood by presenting a less than encouraging relationship with the subject's mother.
The narrative appears centered on a homogeneous social background within the Hamptons. There is no explicit evidence of diverse casting or the subversion of Anglo-Saxon social norms.
The film embraces moral relativism by questioning the boundary between documentary and fiction. It prioritizes subjective memory and personal truth over objective historical records or capitalist achievements.
The film examines the psychological complexities of an unfinished life. It focuses on the internal, fragmented mental state of the subject rather than relying on inspirational stories.
Present on Screen
Limited or Absent
Official Synopsis
Filmmaker Richard P. Rogers tried for twenty years to make a documentary about his own life. He died in 2001, leaving the project unfinished, until his widow, acclaimed photographer Susan Meiselas, commissioned his former student Alexander Olch to make a film out of the pieces. Starting in the Hamptons, in the town of Wainscott, the film weaves Rogers' footage into a journey through childhood memories, a less than encouraging mother, a family background of privilege, and Rogers' persistent, dogged attempts to document his own life. Rogers' friend, actor and writer Wallace Shawn, joins in the process, as the film investigates the differences between documentary and fiction, and tells the tragic story of Rogers' life.

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