
Autumnal
1993

Representation Score
Good
1997
Director
Stan Brakhage
Runtime
14 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Stan Brakhage’s experimental short operates through abstraction and non-linear visual poetry. By prioritizing sensory experience over conventional, Western-centric dramatic arcs, the film challenges traditional cinematic expectations. Since the work eschews dialogue and human ability to act, it exists outside typical frameworks of social representation. The narrative structure replaces human-centric storytelling with the rhythmic movements of cats, worms, and plants. Ultimately, the film’s value lies in its refusal to engage with traditional social hierarchies. It chooses a purely experiential relationship with the natural world rather than identity politics.
Category Breakdown
The film does not depict any gender identity or sexual orientation. It remains neutral and does not include any derogatory stereotypes related to LGBTQ+ individuals.
By eliminating human actors, the film avoids traditional gender roles and hierarchies. It provides a non-human centered space that does not perform typical masculine or feminine traits.
The film focuses on macro-photography of nature, such as leaves and worms. There are no human characters to assess for racial or ethnic diversity.
The work avoids traditional Western storytelling structures and instead embraces a naturalistic mysticism. It steers clear of promoting institutional values like capitalism or patriotism.
Since there are no human characters in the film, it does not engage with disability or human-centric social identities.
Present on Screen
Limited or Absent
Official Synopsis
Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gray cat licks itself. A black cat sits quickly down on a green lawn. A "night" of showering dark, a "dawn" of pinks and yellows of plant growth in close-up. A gentle yellow "high noon" prevails into which the orange worm appears and reappears, twisting, arching, turning. A phosphorescent orange of leaves explodes midst greens and black holes appropriate to the image of the worm. The forms of many varieties of leafage mix with a veritable rain or clash of overall tones, a fire of forms, a glowing color photo-negative of worm, and the final canopies of autumn tone and sky tone permeated by sun, sun streaks and octagonal prism shapes ad infinitum.

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