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The End

Name: The End
Director: Burt Reynolds
Released: 1978
Duration: 100 min

Representation Score

3.0/10

Limited

1978

Director

Burt Reynolds

Runtime

100 minutes

Average Rating

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New Showbiz Analysis

The End is a product of its era, prioritizing traditional comedic structures over challenging social norms. It adheres to the established Hollywood archetypes of the late 1970s, focusing on individual struggles rather than systemic issues. While the film explores themes of mortality and mental health, these elements are presented through conventional means. The narrative lacks the intention to disrupt social hierarchies or offer meaningful characters who reflect more than one aspect of diversity. Ultimately, the film serves as a typical character-driven comedy, maintaining the status quo of its time without providing diverse perspectives or institutional critique.

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Category Breakdown

Does The End have LGBTQ+ representation?

Minimal

The film follows strict conventions that assume everyone is straight or cisgender. There are no stories or characters that question standard social expectations.

How does The End portray gender?

Limited

The film centers on traditional gender roles from the late 1970s. Female characters play minor roles compared to the male protagonist and have limited influence over the story.

How racially and ethnically diverse is The End?

Limited

The cast appears mostly uniform, with no effort to blend different racial identities or challenge demographic norms.

How does The End represent religion and culture?

Limited

The story focuses on individual experiences rather than broader societal critiques. It avoids discussing anti-religious or anti-capitalist themes, focusing instead on individual characters.

Does The End include disability representation?

Fair

The inclusion of a delusional character introduces themes of mental health. However, the character may serve more as a plot device than a fully developed identity.

Present on Screen

Explores complex themes of mortality and personal influence through a character-driven approach.
Introduces themes of mental health and neurodivergence via the inclusion of a delusional character.

Limited or Absent

Female characters have limited impact and are often defined by their relationship to the male protagonist.
Does not challenge assumptions about straight and cisgender relationships.
Features a predominantly uniform cast without diverse racial and ethnic representation.
Uses mental instability as a plot device rather than a fully developed character.

Official Synopsis

Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.

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