
Love Life
2022

Representation Score
Good
2022
Director
Yusaku Matsumoto
Runtime
121 minutes
Average Rating
No ratings yetNew Showbiz Analysis
All Because of Me is a work of social realism that finds its strength in the margins. Rather than relying on overt identity politics, it focuses on the experiences of those living outside conventional social and familial structures. It provides a poignant look at the disenfranchised. The film succeeds by deconstructing traditional domestic stability. By centering on characters like Yuta and Sakamoto, it replaces the idealized middle-class experience with a raw look at survival and found kinship. This approach offers a meaningful critique of organized society. However, the film remains limited by its lack of explicit representation regarding specific identity markers. While it challenges social structures, it does not actively engage with queer narratives or diverse ethnic casting, keeping the focus strictly on socioeconomic displacement.
Category Breakdown
The film doesn't show LGBTQ+ identities or non-straight relationships. It focuses on survival-based friendships among the main characters. It avoids traditional family structures by focusing on a makeshift family unit.
The story challenges traditional gender roles by centering on a vulnerable young male protagonist. Female characters like Shiori are defined by existential loneliness rather than domestic duties. Traditional leadership and father figures are notably missing.
As a Japanese production, the film centers on a culturally specific context. It challenges socioeconomic uniformity by focusing on invisible populations like orphans and the homeless. It shifts focus away from the prosperous middle class.
The narrative questions the sanctity of biological families and state institutions. It prioritizes a 'found family' of the disenfranchised over traditional units. The film shows survival outside institutional norms as a valid path.
No specific physical or neurodivergent disabilities are explicitly shown. However, the film explores invisible psychological states like abandonment trauma and social isolation. These emotional realities drive the characters' actions and interactions.
Present on Screen
Limited or Absent
Official Synopsis
Yuta lives in an orphanage while waiting for her mother to pick her up. One day, Yuta, who happened to know his mother's whereabouts, escaped from the facility with all his heart. However, there was a mother who depended on her cohabiting man and lived a self-deprecating life. Despaired, Yuta meets Sakamoto, a homeless man who lives in a light tiger while walking along the beach. Sakamoto accepts Yuta without asking anything. The two sleep and eat together while earning a small amount of money. Eventually, he became acquainted with Shiori, a girl who grew up in a wealthy family but had no place to live at home or school. Yuta is attracted to Shiori, who has the same loneliness as himself but is kind to him. However, the calm days end with an incident.

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