
Thou Shall Not Kill... But Once
1975

1990
Director
Teddy Robin
Runtime
87 minutes
Average Rating
No ratings yetSynopsis
Little Tiger (Yuen Biao) ventures from the sticks to the big city in search of his cop brother Big Tiger (Chi-cheung Lam), an honest cop working in a corrupt system. Surmising that life in the police force was not his cup of tea, Little Tiger joins the Swallow Acrobatic Troop, which he excels in because of his kung-fu prowess. When a band of thugs from Chin Hung-yun's (Sammo Hung) group attacks the troop, Little Tiger not only handily fights them back but also infiltrates their organization to destroy them from the inside. Meanwhile, Big Tiger's old flame Mary (Anita Mui) returns from America to join the revolutionaries. Big Tiger soon finds himself torn between his love of this girl and his orders to arrest all revolutionaries.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or non-heteronormative relationship structures. Romantic tension is framed through a traditional lens involving Big Tiger and Mary.
Gender Representation
The story focuses on masculine archetypes and martial arts tropes. However, Mary provides agency by joining a revolutionary movement rather than a domestic role.
Racial & Ethnic Diversity
The film offers a robust representation of Chinese identity and heritage. It focuses on localized ethnic identity within a specific East Asian urban context.
Religious & Cultural Diversity
The narrative provides a sophisticated critique of systemic corruption. It challenges institutional infallibility by pitting protagonists against corrupt police and organized crime.
Disability Representation
There is no evidence of characters with visible or invisible disabilities. The film does not feature neurodivergent representation.
Strengths
Areas for Improvement
AI Analysis
Shanghai Shanghai is a genre-driven action drama that prioritizes martial arts and systemic conflict over demographic breadth. It excels at portraying social friction and the corruption of authority, providing a nuanced look at institutional morality. However, the film lacks modern intersectional markers. It offers almost no representation for LGBTQ+ identities or individuals with disabilities, and the narrative remains heavily centered on traditional masculine archetypes.

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