
Nasty Habits
1977

1969
XDirector
Simon Nuchtern
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
Marvin Swift is a nebbishy schmuck who’s "a total failure at everything." Fired from his job at a brassiere factory, he then gets into a pointless argument with his sexy but ditzy fiancee who tells him to go to hell. Instead, he does the next best thing. He meets the devil in a boiler room. And the devil’s a she. A very sexy she named Lucibel sans the traditional horns and pointy tail because "that’s terribly passé, today its mod." Touched that Marvin is such a screw-up, she offers to help him but not, she says, because she wants his soul, but because she wants to make him happy. So she grants him a wish with no strings attached.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story focuses on a heteronormative romantic conflict between Marvin and his fiancée. There is no visible representation of queer identities within the primary character arcs.
Gender Representation
Lucibel subverts the traditional temptress trope by acting as an autonomous, benevolent female entity. This reimagining shifts power away from patriarchal and theological structures.
Racial & Ethnic Diversity
The film appears to lack significant racial or ethnic diversity. The narrative focuses on individualistic and supernatural interactions rather than broader demographic complexities.
Religious & Cultural Diversity
The film challenges Christian morality by presenting a 'mod' Devil who provides happiness without strings attached. This promotes a secular, relativistic approach to good and evil.
Disability Representation
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Strengths
Areas for Improvement
AI Analysis
To Hex with Sex functions as a transgressive piece of late-1960s independent cinema. It trades traditional moralistic frameworks for a postmodern, secular worldview that prioritizes subjective morality over religious dogma. While the film lacks demographic breadth in terms of race and LGBTQ+ representation, it excels at subverting established social and gendered hierarchies. The central conceit replaces the feared devil with a mod, agentic female figure. Ultimately, the film's strength lies in its cultural critique. It uses supernatural elements to dismantle traditionalist structures and patriarchal control, even if the cast remains demographically narrow.

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