
Master of His Own Body
1957

Representation Score
Limited
1962
Director
Branko Bauer
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Superfluous is a period-specific social comedy set in 1962 Yugoslavia. It emphasizes the collective experience of labor actions rather than modern multi-layered issues. The narrative leans heavily on conventional romantic structures and traditional gender stereotypes. While it provides a unique glimpse into socialist-era social movements, it lacks diverse identity markers. Ultimately, the film serves as a window into the socio-economic constructs of its time, highlighting the conflict between personal desires and state-organized communal duties.
Category Breakdown
The film does not include any queer narratives or non-straight identities. The plot centers on a traditional romance between Mikajlo and Nada.
Gender roles adhere to traditional stereotypes, emphasizing masculine pursuits and romantic ideals. Characters like Malena and Nada are mainly defined in relation to the male protagonist's influence.
The film captures the ethnic makeup of the Balkans during the Yugoslav period. It portrays a homogeneous society typical of mid-century regional cinema.
The setting highlights a youth labor action that underscores socialist-era collective values. It examines the tension between personal desires and communal duties.
There is no information available regarding the depiction of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
Young farmer Mikajlo while on youth labour action falls in love with a student Nada and infatuated with her, he leaves the peasant brigade and Malena, a girl who as if she were overabundant, followed him to work the labour action. Mikajlo's courtship of Nada provokes laughter and ridicule, so ambitious 'Don Juan' returns to his brigade and the girl.

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