
The Men in the Family
1968

Representation Score
Fair
1970
Director
Raoul André
Average Rating
No ratings yetNew Showbiz Analysis
This film captures the cultural unrest of the 1970s by featuring radical political identities like Maoists and revolutionary students. It excels in representing the era's socio-political shifts. However, the film lacks representation for LGBTQ+ identities and characters with disabilities. The narrative centers around the tension between traditional bourgeois values and societal change. While female characters have significant influence, they often serve as catalysts for the male protagonist's struggles rather than being fully developed individuals.
Category Breakdown
The film does not include any characters with LGBTQ+ identities or those whose gender does not match their birth assignment. Romantic relationships seem to follow typical heterosexual patterns.
Female characters such as the Sicilian daughters and Maryse play significant roles in creating conflict. However, they might come across as stereotypical figures rather than well-developed characters.
The inclusion of a Sicilian criminal element brings in non-Anglo-Saxon cultural influences. It is unclear whether this adds meaningful representation or merely reinforces a traditional gangster stereotype.
The story delves deeply into the socio-political turmoil of the 1970s. It features Maoist fighters and student revolutionaries who challenge established Western institutions.
There are no characters with physical, neurological, or mental health conditions mentioned in the story.
Present on Screen
Limited or Absent
Official Synopsis
Gabriel Pelletier's life is no bed of roses. Not because of his job: he is a successful sales manager. But on account of the various wrongdoings committed by his kin. First, there is his daughter Nicole, who has just developed an infatuation with a young man who is not only a revolutionary student but the the son of a Sicilian mobster as well. Then he has to cope with Bernard, his brother-in-law, a ladies'man who has been vamped by one of the sexy daughters of the Sicilian. Let's not forget Albert, his own brother, an avant-garde filmmaker also in trouble with Lombardi, the omnipresent gangster. To crown it all, Maryse, his domestic worker, is a Maoist militant!... In the end, poor Gabriel can't take it anymore. He hits the road and calls it quits.

1968

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