The documentary lacks a narrative focus on queer identities or storylines. While the 1970s New York setting implies social fluidity, the film does not center on non-cisnormative identities.

Yoko Ono’s presence as a co-performer disrupts traditional gender hierarchies. Her agency is presented as equal to Lennon's, challenging the conventional frontman and partner dynamic of the era.

The film features a multi-ethnic musical ensemble via the Plastic Ono Elephant's Memory Band. This reflects the diverse New York music scene rather than a deliberate attempt at intersectional casting.

The film prioritizes altruism and communal support through its focus on a benefit for children. The avant-garde performances also function as a critique of established Western social structures.

The concert serves as active advocacy for mentally handicapped children. By centering the event around their needs, the work validates the importance of neurodivergent individuals in public spaces.