The film explores non-normative desire and sexual transgression through a surrealist lens. It centers passion as a destabilizing force that challenges heteronormative structures, moving beyond simple archetypes to depict nuanced, non-traditional intimacy.

Female figures like Francesca da Rimini are portrayed as central agents of passion rather than passive victims. The narrative subverts traditional hierarchies by focusing on complex, tragic agency instead of domestic tropes.

Diversity is primarily aesthetic, utilizing stylized and grotesque costume design. The film lacks intentional intersectional casting, opting for symbolic, archetypal representations of humanity rather than specific ethnic identities.

The film subverts Catholic concepts of divine judgment through a fragmented, surrealist style. It blurs the lines between the divine and the psychological, favoring moral relativism over rigid religious authority.

Physical deformity is used frequently as a visual metaphor for spiritual decay. While visually striking, these depictions serve as semiotic tools for sin rather than providing characters with genuine agency.