
We're All Going to the World's Fair
2022

Representation Score
Excellent
2024
PG-13Director
Jane Schoenbrun
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jane Schoenbrun creates a deep exploration of identity using surrealist horror to challenge traditional social norms. The film provides a profound psychological study of the self by focusing on queer and gender identity themes. However, the film's narrow focus on a homogeneous suburban setting limits racial and ethnic diversity. Additionally, the reliance on surrealist metaphor for mental health themes can feel indirect compared to explicit representation.
Category Breakdown
The film uses a supernatural TV show to symbolize the queer experience, focusing on the psychological tension between internal identity and societal expectations.
It deconstructs gender binaries through the protagonist's struggle with gender identity, emphasizing subjective experience over traditional masculine or feminine roles.
The late-90s suburban setting reflects a relatively homogeneous social landscape. The narrative lacks diverse casting in prominent roles, focusing instead on the protagonists' psychological journeys.
The story critiques consumerist media and restrictive suburban life, blurring the lines between reality and fiction.
Neurodivergence and mental health are explored through surreal metaphors, avoiding explicit clinical depictions.
Present on Screen
Limited or Absent
Official Synopsis
In late-'90s suburbia, lonely teenager Owen meets Maddy, who introduces him to a mysterious late-night TV show — a vision of a supernatural world pulsing beneath their own. As time goes on, questions begin to arise about why the show sometimes seems more real than their own lives, as their view of reality begins to crack.

2022

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