We're All Going to the World's Fair

The film highlights the romantic and emotional bond between Louise and Elaina, moving beyond including someone from a minority group without giving them real depth to explore the psychological complexities of queer intimacy and identity.

It emphasizes the internal psychological landscapes of its female protagonists, focusing on their internal connections rather than externalized ideas of ability to act.

The cast and setting do not prominently feature a diverse array of racial or ethnic identities. The narrative remains centered on a relatively homogeneous social experience.

The film engages with postmodern themes and critiques the digital-capitalist landscape, framing the commodification of social connections as a source of profound alienation.

The story offers a nuanced portrayal of neurodivergence and psychological vulnerability, exploring dissociation and digital addiction as central, complex components of the characters' identities.