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We're All Going to the World's Fair

We're All Going to the World's Fair

2022

Not Rated

Director

Jane Schoenbrun

Runtime

86 minutes

Average Rating

No ratings yet

Synopsis

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

Where to Watch

Diversity & Representation

Overall Score

7.9/10

Good


Category Breakdown

LGBTQ+ Representation

Excellent

The film centers on the romantic and emotional bond between Louise and Elaina. It moves beyond tokenism to explore the psychological nuances of queer intimacy and identity formation.

Gender Representation

Excellent

The narrative disrupts traditional hierarchies by prioritizing the internal psychological landscapes of its female protagonists. It focuses on female-centric connection rather than externalized tropes of agency.

Racial & Ethnic Diversity

Fair

The cast and setting do not prominently feature a diverse array of racial or ethnic identities. The narrative remains centered on a relatively homogeneous social experience.

Religious & Cultural Diversity

Excellent

The film engages with postmodernist themes and critiques the digital-capitalist landscape. It frames the commodification of social connection as a source of profound alienation.

Disability Representation

Good

The story offers a nuanced portrayal of neurodivergence and psychological vulnerability. It explores dissociation and digital addiction as central, complex components of the characters' identities.

Strengths

  • Deeply integrated queer identity that explores the nuances of intimacy.
  • Sophisticated deconstruction of digital-capitalist structures and social alienation.
  • Nuanced portrayal of neurodivergence and invisible mental health conditions.

Areas for Improvement

  • Limited racial and ethnic diversity within the cast and setting.
  • A relatively homogeneous social experience that lacks ethnic breadth.

AI Analysis

Jane Schoenbrun’s work is a sophisticated disruption of conventional cinematic expectations. By centering queer identity and non-normative connections, the film uses digital spaces to critique heteronormative structures and explore the fluidity of the self. The film excels in its psychological depth, particularly regarding gender and neurodivergence. It avoids common tropes by treating the protagonists' internal struggles and subjective realities as valid, complex experiences rather than mere plot devices. However, the film lacks breadth in racial and ethnic representation. While the focus remains on psychological liminality, the social landscape presented is relatively homogeneous.

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