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Personal Column

Name: Personal Column
Director: Robert Siodmak
Released: 1939
Duration: 114 min

Representation Score

2.4/10

Limited

1939

Director

Robert Siodmak

Runtime

114 minutes

Average Rating

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New Showbiz Analysis

Personal Column is a product of its time, adhering closely to the traditional social hierarchies and demographic norms of 1939. It lacks the complexity and diverse casting needed for a progressive rating. The film's main strength is its portrayal of a female journalist named Adrienne Charpentier, who has a professional and intellectual role. This contrasts with the typical domestic roles of the era. However, the production remains largely homogeneous. The lack of racial diversity, LGBTQ+ representation, and any engagement with disability or systemic critique keeps the film within the mainstream constraints of its period.

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Category Breakdown

Does Personal Column have LGBTQ+ representation?

Minimal

The film follows conventional romantic storylines typical of the late 1930s. There are no LGBTQ+ characters or narratives that question the assumption that everyone is straight or cisgender.

How does Personal Column portray gender?

Fair

The story focuses on a female journalist, giving her a professional and intellectual role. While the film includes romantic clichés, her career-driven role breaks the mold of purely domestic female archetypes.

How racially and ethnically diverse is Personal Column?

Limited

Set in an urban environment, the cast reflects the demographic uniformity of Western cinema from this era. There are no significant characters from diverse racial backgrounds or non-Anglo-Saxon individuals in leadership roles.

How does Personal Column represent religion and culture?

Limited

The narrative upholds traditional middle-to-upper-class social structures. It does not offer any critique of Western institutions, religion, or capitalism.

Does Personal Column include disability representation?

Minimal

There are no characters with visible or invisible disabilities. Disability is not used as a narrative device within the film.

Present on Screen

The film highlights a female protagonist in a professional, intellectual role.

Limited or Absent

The film lacks racial and ethnic diversity, reflecting the demographic uniformity of 1930s Western cinema.
There is no LGBTQ+ representation or narratives that challenge the assumption that everyone is straight or cisgender.
The story does not include characters with disabilities or address systemic social critiques.

Official Synopsis

To try solving the strange disappearances of 11 young Parisian women, the police obtain the services of Adrienne Charpentier, friend of the latest missing person.

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