The film adheres to conventional heteronormative structures. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the narrative.

The story centers on female-driven emotional landscapes, specifically the experiences of Frances and Elspeth. It avoids treating women as mere peripheral accessories to male-driven plots.

Set in a remote Scottish village, the cast is predominantly white. The film reflects the demographic reality of its specific geographic and temporal context.

The narrative explores the complexities of familial bonds rather than critiquing Western institutions. It focuses on personal introspection rather than an anti-Western ideological stance.

The film explores the psychological trauma of grief but lacks proactive representation of physical or neurodivergent disabilities. No characters with defined disabilities are present.