
Daddy, I'm a Zombie
2012

Representation Score
Good
2017
PGDirector
Arthur de Pins, Alexis Ducord
Runtime
78 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Zombillénium uses a fantasy world to explore themes of labor and power structures. By depicting monsters as part of an exploited workforce, the film challenges traditional views of normalcy versus abnormality. The film effectively critiques societal issues through its supernatural elements. It uses monsters to comment on the commodification of identity in a modern context. However, it lacks direct representation of LGBTQ+ identities and traditional human racial diversity.
Category Breakdown
The story centers on the relationship between the living and the undead. It does not include any direct depiction of same-sex relationships or non-traditional gender identities.
Female characters play important roles within the monster hierarchy. They have significant control over their actions and avoid being portrayed as passive or submissive. However, the film does not challenge traditional views of masculinity.
The film uses different types of supernatural beings to represent various groups. This creates a diverse social structure that contrasts with a more uniform society.
The movie critiques capitalism by portraying the undead as a underrepresented workforce. It highlights how the living exploit the undead for entertainment.
The undead state is used as a metaphor for socioeconomic struggles rather than disabilities. The film might unintentionally echo historical stereotypes about people with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Zombillenium, the Halloween theme park, happens to be the one place on earth where real monsters can hide in plain sight. When Hector, a human, threatens to disclose the true identity of his employees, the Vampire Park Manager has no other choice but to hire him. To see his daughter, Hector must escape from his zombie and werewolf co-workers.

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