
To Die of Love
1971

Representation Score
Fair
1976
Director
Bernard Queysanne
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Devil in the Heart primarily deconstructs bourgeois social structures and familial stability. It avoids typical social clichés of its era to focus on the friction within a specific socio-economic stratum. While the film lacks significant LGBTQ+ or racial visibility, it challenges the sanctity of the traditional Western family unit. The narrative tension arises from the disruption of the patriarchal head of household. Ultimately, the film explores class and generational tensions rather than a diverse social tapestry.
Category Breakdown
The film focuses on heterosexual relationships and infidelity. It centers on a triangle involving a father, a son, and an au pair, without any queer identities or subtext.
The story challenges traditional gender roles by disrupting the archetype of the stable patriarch. The au pair's relationship with the father questions conventional domestic and maternal roles.
Set in a chic environment, the film depicts a homogeneous, upper-class French setting. There is no evidence of racial diversity or a non-Anglo-Saxon majority cast.
The film critiques Western institutions by portraying the bourgeois family as a site of deception. It prioritizes subjective desires over established social or religious norms.
There are no visible or invisible disabilities portrayed in the narrative. No neurodivergence or physical disabilities are present.
Present on Screen
Limited or Absent
Official Synopsis
It takes place in a chic milieu, where both the father and the son are in love with the au pair girl (but she sleeps with the dad). The young student is far from the post May 68 clichés and the movie walks a fine line off the beaten path. Philippe Lemaire and Emmanuelle Riva are ideally cast as the bourgeois parents who urge their offspring to attend the grandma's Christmas meal.

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