The film lacks evidence of non-cisnormative identities or narratives that critique heteronormativity. It appears to follow a traditional domestic horror framework centered on a nuclear family unit.

The narrative focuses on the Benson family, reinforcing traditional domestic roles. There is no evidence of women demonstrating superior agency or the subversion of masculine leadership.

The premise is rooted in a specific American historical event and centers on a singular family. There is no indication of a non-Anglo-Saxon majority cast.

The film utilizes a traditional Western horror framework centered on the sanctity of the domestic home. It lacks anti-Western or secularist critiques.

While the film explores psychological distress, there is no evidence of characters with disabilities being portrayed with specific agency or nuanced representation.