
At Land
1944

Representation Score
Limited
1949
Director
Sidney Peterson
Runtime
18 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Sidney Peterson’s experimental film prioritizes surrealism and abstract concepts over traditional social structures. While it challenges conventional gender roles and Western narrative logic, it does not offer meaningful representation of LGBTQ+, racial, or ethnic identities. The film excels in dismantling traditional gender roles and Western storytelling norms. However, it falls short in providing diverse representation. Ultimately, the film serves as an avant-garde exploration rather than a platform for social advocacy or diverse character studies.
Category Breakdown
The film does not depict any LGBTQ+ identities or non-straight relationships. Its focus on abstract pursuits avoids showing interpersonal dynamics related to identity.
Gender roles are challenged through absurd portrayals of everyday life. Women are shown in chaotic situations rather than in traditional roles.
There is no information about the racial or ethnic makeup of the cast. Given the time period, the film likely follows typical casting practices.
The work rejects organized Western storytelling through its chaotic structure. It uses a brutalist soundtrack to challenge established artistic and narrative conventions.
The film does not feature any characters with visible or invisible disabilities. There is no representation of individuals with disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Chases within chases. A mother runs after a child. A man seems to be pursuing himself. A woman who has been nibbling her lipstick through half of the film is pursued by a man. Scrambled Alice in Wonderland with brutiste soundtrack. The pursuit of art is represented by a painter daubing at a landscape in an empty frame.

1944

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