
Some tired boys
1967

Representation Score
Minimal
1972
Director
Kostas Karagiannis
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1972 comedy adheres to the traditional storytelling norms of mid-20th-century Mediterranean cinema. The plot prioritizes a localized, culturally uniform view of courtship and social status. The film reinforces established social hierarchies rather than challenging them. It lacks the complexity needed to represent a diverse range of identities and experiences. Ultimately, the work serves as a period piece that focuses on a singular, traditionalist perspective of romantic companionship.
Category Breakdown
The film follows a traditional storyline focused on heterosexual relationships, without exploring LGBTQ+ identities. Non-straight relationships and gender fluidity are not represented.
The story revolves around a male protagonist who interacts with women primarily through romantic relationships. Female characters are mainly portrayed as objects of romantic interest for the male lead.
This Greek production reflects a homogeneous society typical of its time. There is no indication of multi-ethnic casting or diverse racial backgrounds in the narrative.
The film upholds traditional social structures and emphasizes the stability of the nuclear family. It highlights conventional paths to personal happiness and social integration.
The narrative does not include any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Zahos Fokianos is a businessman who flirts with various women. Teta, the daughter of one of the women that Zahos chases, has fallen in love with him but is hesitant to confess her feelings. But when Zahos realizes what is going on, he will feel twenty years younger, travel with her in Europe, and on return he will find that he and the girl are not the only couple who enjoys happiness.

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1967
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