
Roads of Kiarostami
2006

Representation Score
Good
2004
Director
Abbas Kiarostami
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Abbas Kiarostami’s documentary succeeds by disrupting traditional cinematic hierarchies, particularly through its centering of female intellectual leadership. By placing a woman in a position of creative authority, the film challenges conventional gender roles and provides a meaningful counter-narrative to mainstream norms. The film's strength lies in its authentic Middle Eastern setting and its postmodern deconstruction of reality. It avoids Western-centric casting, opting instead for a localized, culturally specific perspective that challenges the dominance of Hollywood storytelling. However, the film remains specialized in its scope. It lacks engagement with LGBTQ+ themes or disability-centric narratives, focusing instead on the professional and philosophical mechanics of the filmmaking process.
Category Breakdown
The film does not include explicit LGBTQ+ characters or narratives. It focuses on the professional and philosophical aspects of filmmaking rather than non-cisgender identities.
A female protagonist holds absolute professional authority, challenging traditional gender hierarchies. The film passes the Bechdel test through professional conversations between female colleagues.
The film offers an authentic Iranian perspective that avoids Western-centric clichés. It provides a non-Anglo-Saxon majority viewpoint that challenges Western cinematic dominance.
The work critiques institutional constraints and the struggle of artists against systemic limitations. It prioritizes personal experience and intellectual freedom over official truths.
There is no prominent depiction of physical or neurodivergent disabilities. Characters are placed within a specific professional socioeconomic class.
Present on Screen
Limited or Absent
Official Synopsis
"10 on Ten" is a 2004 Iranian documentary film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival. Looking to his own art for inspiration, Abbas Kiarostami reflects on his techniques of filming and how he taped certain sequences in "Ten" in 2001.

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