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Hey There

Name: Hey There
Director: Alfred J. Goulding
Released: 1918
Duration: 10 min

Representation Score

1.1/10

Minimal

1918

Director

Alfred J. Goulding

Runtime

10 minutes

Average Rating

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New Showbiz Analysis

Hey There is a quintessential product of the 1918 silent era, prioritizing kinetic slapstick over social complexity. The narrative relies on established romantic archetypes and traditional hierarchies that were standard for early Hollywood. While the film offers high-energy entertainment through Harold Lloyd's physical comedy, it lacks intentional depth in representing diverse identities. Characters primarily serve as vehicles for humor rather than nuanced representations. Ultimately, the film reflects the homogeneous social landscape of its time, focusing on individualistic pursuits within a Western studio setting.

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Category Breakdown

Does Hey There have LGBTQ+ representation?

Minimal

The film focuses on a traditional romantic relationship between a male and a female character. There are no depictions of LGBTQ+ identities or critiques of heterosexuality.

How does Hey There portray gender?

Fair

The narrative places the female character as an object of pursuit while the male character drives the plot. This reinforces conventional gender roles from the early 20th century through slapstick humor.

How racially and ethnically diverse is Hey There?

Minimal

The cast appears uniform, similar to typical early Hollywood productions. There are no non-white characters or indications of racial diversity.

How does Hey There represent religion and culture?

Limited

The story operates within a standard Western comedic framework. It uses studio disruptions for humor without challenging institutional power or social philosophies.

Does Hey There include disability representation?

Minimal

There are no characters with visible or invisible disabilities portrayed in this production.

Present on Screen

Offers foundational examples of early silent era slapstick and physical comedy.
Features recognizable comedic archetypes from the era's cinematic language.

Limited or Absent

Lacks representation of LGBTQ+ identities or perspectives.
Features a homogeneous cast with minimal racial or ethnic diversity.
Reinforces conventional gender roles by positioning women as objects of pursuit.

Official Synopsis

In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.

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