We Are Not Angels

The film centers on the sexual escapades of a Belgrade playboy in a hyper-masculine urban environment. It does not explicitly represent non-straight or non-cisgender identities and does not actively challenge the assumption that everyone is straight or cisgender.

Women appear in various roles, from victims to active participants in the underworld. However, the social fabric remains dominated by aggressive, hyper-masculine figures and traditional hierarchies.

The cast reflects the specific South Slavic demographic of Belgrade during the dissolution of Yugoslavia. It provides a focused look at a particular ethnic identity in crisis rather than diverse racial blending.

The film excels at deconstructing traditional institutions and the collapse of socialist structures. It uses moral relativism to critique the rise of hyper-capitalism and the breakdown of the family unit.

The narrative focuses on the psychological and moral struggles of able-bodied protagonists. There is no significant evidence of characters with disabilities being given real power.