
The Last Word
1973

Representation Score
Good
1972
Director
Jaromil Jireš
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jaromil Jireš presents a powerful exploration of individual subjectivity, mainly through its sophisticated subversion of gender roles. By focusing on Maruska Kuderikova’s internal life, the film grants her a significant role in driving the story, which is rare in period dramas. However, the film is limited by its historical and geographical setting. The lack of LGBTQ+ and racial diversity reflects the era's homogeneity rather than a modern inclusive intent, reducing its scope. Ultimately, the work succeeds as a progressive narrative by challenging binary notions of heroism and morality, emphasizing the tension between personal desire and social structures.
Category Breakdown
The film does not include explicit LGBTQ+ characters or relationships. Themes of sexual awakening and personal freedom are explored, but they do not translate into specific identity-based representation.
The film centers on Maruska Kuderikova, highlighting her ability to act and intelligence. It disrupts traditional gender roles by portraying female sexuality as a tool for personal autonomy rather than submission.
Given the historical context of 1940s Czechoslovakia, the film lacks racial diversity. Its adherence to the time period limits its diversity by modern standards.
The film challenges traditional morality by showing a protagonist who refuses to hate her captors. It emphasizes individual truth over rigid institutionalized beliefs.
The film does not feature central depictions of physical or neurodivergent disabilities. While the protagonist faces psychological trauma, the film does not use disability as a specific character study.
Present on Screen
Limited or Absent
Official Synopsis
This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

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