The film lacks LGBTQ+ characters or non-heteronormative identities. The romantic arc is strictly centered on traditional heteronormative pairings between the protagonist and Mohini.

Female characters primarily serve as emotional anchors, acting as maternal figures or romantic interests. The narrative lacks significant subversion of masculine leadership, focusing on male-driven conflict.

The cast is culturally homogeneous and South Asian, avoiding Western-centric casting. It effectively uses class-based distinctions to explore the lived experiences of the urban working class.

The story critiques capitalist structures by framing the wealthy elite as corrupt. It embraces moral relativism, where righteousness is defined by the struggle against oppressive social strata.

There is no explicit focus on physical or neurodivergent disabilities. The character Gangu Ganpat is depicted through chronic alcoholism, serving as a narrative device for the protagonist.