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Ugly, Dirty and Bad

Ugly, Dirty and Bad

1976

Not Rated

Director

Ettore Scola

Runtime

115 minutes

Average Rating

No ratings yet

Synopsis

Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.

Where to Watch

Diversity & Representation

Overall Score

5.1/10

Fair


Category Breakdown

LGBTQ+ Representation

Minimal

Gender Representation

Good

Racial & Ethnic Diversity

Limited

Religious & Cultural Diversity

Excellent

Disability Representation

Good

Strengths

  • Provides a sophisticated critique of capitalist structures and moral decay.
  • Integrates physical disability as a functional, gritty reality of labor.
  • Offers a nuanced look at female agency amidst socioeconomic chaos.

Areas for Improvement

  • Lacks LGBTQ+ representation or non-heteronormative narratives.
  • Features a relatively homogeneous cast with little racial or ethnic diversity.
  • Operates within the limited intersectional casting of its historical era.

AI Analysis

Ettore Scola’s film is a visceral study of human dignity eroding under economic duress. It succeeds by deconstructing traditional family structures and bourgeois morality, presenting survival as a gritty, situational necessity rather than a moral choice. The work excels in its social critique, using the protagonist's disability and the family's scarcity to challenge institutional indifference. It avoids idealized depictions of the era, opting instead for a raw look at the urban poor. However, the film remains limited by its historical homogeneity and lack of LGBTQ+ representation. While it provides a deep critique of systemic oppression, it does not explore diverse identities beyond the immediate, homogeneous family unit.

How are these scores produced? →

Featured in

  • Best Religious & Cultural Representation in Film

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