
Seventy-Two Days
2010

Representation Score
Fair
1982
Director
Slobodan Šijan
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Slobodan Šijan’s work is a masterclass in using black comedy to dismantle social structures. The film succeeds by refusing to uphold the sanctity of traditional authority, instead presenting a chaotic and predatory view of inheritance and family continuity. While the film lacks modern markers like LGBTQ+ or multi-ethnic representation, it avoids reinforcing traditional norms. It achieves this by portraying patriarchal leaders as eccentric and incompetent rather than dignified. Ultimately, the film's strength lies in its cultural critique. It uses the grotesque and the absurd to challenge the stability of established social hierarchies and traditionalist values.
Category Breakdown
The film centers on a patriarchal lineage focused on biological succession. There is no representation of LGBTQ+ identities or same-sex intimacy among the main characters.
A traditional patriarchal hierarchy is shown, but it is challenged through the lens of the grotesque. Male figures lead, but they are portrayed as absurd and unable to maintain order.
The narrative is set within a specific Yugoslavian context, focusing on the local peasant socioeconomic structure rather than a diverse cast.
The film effectively deconstructs traditional institutions. It portrays the family unit as chaotic and greedy, rejecting the idea of the family as a stable foundation.
Physical eccentricities and bodily functions are used as central stylistic elements. These portrayals serve a surrealist aesthetic rather than giving characters with disabilities meaningful roles.
Present on Screen
Limited or Absent
Official Synopsis
The Topalović family has been in the burial business for generations. When the 150-year-old Pantelija dies, five generations of his heirs start to fight for the inheritance.

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