
From the Reports of Security Guards & Patrol Services No.1
1985

Representation Score
Fair
1982
Director
Evelyn Schmidt
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film stands out for its bold subversion of the 'ideal citizen' cliché, offering a realistic portrayal of everyday life and systemic pressures. By focusing on a woman making morally complex choices, it challenges state-mandated idealism. However, the film's impact is limited by the demographic homogeneity of its setting. While it excels in gender ability to act and cultural critique, it lacks visible representation regarding race, disability, or LGBTQ+ identities. Ultimately, the work is a significant piece of social commentary that prioritizes systemic critique over individual moral perfection, despite its narrow demographic scope.
Category Breakdown
The story centers on the protagonist's socioeconomic struggles and her role as a single mother. There are no explicit LGBTQ+ characters or non-assuming gender matches what was assigned at birth identities in the narrative.
Susanne challenges traditional gender roles by navigating financial instability and moral ambiguity. She takes control of her life by choosing insurance fraud, rejecting passive or purely nurturing female stereotypes found in state-sanctioned media.
Given the film's setting in 1982 East Germany, it likely reflects the demographic homogeneity of the time. Without specific casting details, the ensemble appears to represent the standard ethnic makeup of its historical era.
The film critiques institutional stability and socialist efficacy by portraying a 'less-than-ideal' citizen. It uses moral relativism to highlight systemic socioeconomic failures.
There is no evidence to suggest the inclusion of characters with physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

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