
The Heroes
1988

1970
PGDirector
Robert Aldrich
Runtime
145 minutes
Average Rating
No ratings yetSynopsis
A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a strictly heteronormative framework. There is no evidence of non-cisnormative identities or narratives engaging with queer themes.
Gender Representation
The narrative is heavily male-centric, focusing almost exclusively on soldiers. Female characters are relegated to peripheral or domestic roles without subverting traditional hierarchies.
Racial & Ethnic Diversity
The focus remains on a predominantly white, European military contingent. While depicting Allied and Japanese forces, it adheres to the demographic constraints of its historical setting.
Religious & Cultural Diversity
The film excels in critiquing Western institutions. It disrupts the 'glory of war' trope by portraying military hierarchy as a source of chaos rather than order.
Disability Representation
There is no substantive focus on visible or invisible disabilities. No characters with disabilities serve as central plot devices or subjects of mockery.
Strengths
Areas for Improvement
AI Analysis
Too Late the Hero is a deconstruction of the traditional combat epic. It replaces the standard heroic trajectory with a study of survival and the breakdown of military hierarchies. The film prioritizes situational morality over rigid institutional duty. While the film lacks demographic diversity, it offers a sophisticated critique of state authority. By framing desertion and disobedience as logical responses to dysfunctional systems, it challenges the grand historical narratives typical of the war genre. Ultimately, the film's strength lies in its thematic complexity rather than its representation of varied identities. It remains a deeply masculine, historically constrained work that finds its voice through moral relativism.

1988

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1967

1956
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