
The Old School of Capitalism
2009

2021
Director
Nigel Walk, Richard Dale
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
Going Circular unlocks the secrets to an innovative concept called circularity -- an economic system that eliminates waste and saves the planet’s resources. The film tells the story of four visionaries from around the world - 102-year-old inventor Dr. James Lovelock, biomimicry biologist Janine Benyus, designer Arthur Huang, and financier John Fullerton - whose extraordinary experiences changed the way they think about humanity’s future. Each of their stories leads them to a fundamental reassessment of what our food, our cities, our financial system, even our fashion industry could look like if we create, produce, and distribute within Earth's natural boundaries.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film prioritizes scientific and economic theory over interpersonal identity politics. There is no explicit evidence of queer character arcs or romantic depictions within the narrative.
Gender Representation
The documentary features female expertise through biologist Janine Benyus. This inclusion helps disrupt traditional gender hierarchies often found in industrial and financial discourse.
Racial & Ethnic Diversity
A globalist lens is employed by featuring visionaries from around the world. The inclusion of designer Arthur Huang moves the film away from purely Anglo-centric perspectives.
Religious & Cultural Diversity
The film challenges global capitalism and traditional industrialism. It promotes an ecologically-centered worldview that prioritizes planetary boundaries over Western growth metrics.
Disability Representation
There is no specific mention of characters or subjects navigating physical or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
Going Circular succeeds as a systemic critique of modern industrialism. By focusing on global visionaries, the documentary moves beyond narrow Western perspectives to advocate for a more integrated, ecological framework. The film's strength lies in its intellectual agency, particularly through the inclusion of female experts like Janine Benyus. This helps balance the discourse in sectors typically dominated by male voices. However, the documentary lacks explicit character-driven identity politics. It functions more as a theoretical exploration of economic structures than a study of diverse human lived experiences.

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