
Maison du Bonheur
2018

2020
Director
Valeria Parisi
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Born in Livorno, Tuscany, artist Amedeo Modigliani (1884–1920) lived a short, tormented life, narrated here from an original point of view, that of his young common-law wife, Jeanne Hébuterne.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film explores non-traditional domesticity through a common-law relationship. While specific queer identities are not explicitly confirmed, the focus on arrangements outside sanctioned marriage offers a nuanced look at historical social structures.
Gender Representation
The documentary grants significant agency to Jeanne Hébuterne by centering her perspective. Rather than acting as a passive muse, she serves as the primary narrator driving the story's intellectual framework.
Racial & Ethnic Diversity
Set in Livorno, Tuscany, the film reflects the specific European historical context of early 20th-century Italy. There is no explicit indication of a diverse or non-Anglo-Saxon majority cast.
Religious & Cultural Diversity
The narrative prioritizes personal, subjective experience over institutionalized historical records. This approach embraces the complexities of individual life and critiques the stability of traditional social norms.
Disability Representation
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities. The subject's tormented life may touch upon mental health, but this is not confirmed.
Strengths
Areas for Improvement
AI Analysis
Maverick Modigliani distinguishes itself by subverting the 'Great Man' historical trope. By shifting the narrative lens from the artist to his partner, Jeanne Hébuterne, the film disrupts traditional patriarchal storytelling structures. The documentary succeeds in granting female agency, transforming a historical figure from a mere subject into an active interpreter of her own reality. This structural choice provides a more intimate, subjective view of the era. However, the film remains anchored in a specific European historical period. While it challenges gendered storytelling, it does not explicitly address broader racial or diverse ethnic representation within its setting.

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