The film lacks any discernible LGBTQ+ characters or non-cisnormative identities. It adheres to the heteronormative social structures common in 1980s action cinema.

Narrative agency is concentrated almost exclusively within a male-dominated mercenary group. Female characters occupy peripheral roles that do not challenge conventional masculine leadership.

A diverse cast of Black African actors appears in supporting roles within the post-colonial setting. However, the central protagonists remain a predominantly white mercenary unit.

The story focuses on the mercenary business within a volatile political landscape. It portrays private violence as a professional necessity rather than critiquing Western institutions.

There is no evidence of characters with visible or invisible disabilities. The narrative focuses entirely on the physical prowess and combat readiness of the ensemble.