You are here:

Call Me Mathilde

Name: Call Me Mathilde
Director: Pierre Mondy
Released: 1969
Duration: 100 min

Representation Score

0.6/10

Minimal

1969

Director

Pierre Mondy

Runtime

100 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Appelez-moi Mathilde is a traditional period comedy that relies on well-established social archetypes to generate humor. The narrative centers on the clash between high-society industrialists and rural laborers, using classic farce structures. While the film touches on class tension, it does so within a traditional framework, lacking the complexity needed to challenge existing power dynamics. Ultimately, it reinforces the social hierarchy of its time rather than subverting it.

Watch this, not that →

Category Breakdown

Does Call Me Mathilde have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ identities or same-sex relationships. The plot revolves around a traditional marriage and a ransom scenario.

How does Call Me Mathilde portray gender?

Limited

Mathilde is the main character, starting with the cliché of being abducted. She seems to navigate the chaos with ability to act against her captors.

How racially and ethnically diverse is Call Me Mathilde?

Minimal

The cast appears to be from a homogeneous cultural background, typical of 1960s Europe. There is no indication of racial or ethnic diversity.

How does Call Me Mathilde represent religion and culture?

Limited

The story highlights the conflict between the social elite and the rural working class. However, it adheres to traditional Western social hierarchies.

Does Call Me Mathilde include disability representation?

Minimal

There is no information available regarding the inclusion of characters with physical or neurodivergent disabilities.

Present on Screen

The film uses class distinctions and social disparity to create situational comedy.
The narrative explores the friction between different social strata.

Limited or Absent

The film lacks multi-layered complexity and fails to challenge systemic power dynamics.
The portrayal of women relies on traditional clichés of vulnerability and abduction.
The cast appears culturally homogeneous, lacking racial or ethnic diversity.

Official Synopsis

Mathilde de Blanzac is abducted on her way home from an evening at the opera with her wealthy industrialist husband. Her pathetic pieds-nickelés kidnappers begin by holding her hostage at the home of Petit Jean, a country bumpkin, before demanding a ransom from her husband. At the same time, Hubert de Pifre, a fighter pilot in distress, ejects over Petit Jean's farm.

How are these scores produced? →