
Le Bal des casse-pieds
1992

Representation Score
Minimal
1968
GDirector
Yves Robert
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Very Happy Alexander is a traditional period comedy that prioritizes a localized, homogeneous narrative. It functions primarily as a character study within a conventional social framework, focusing on individual liberation through domestic disruption. The film lacks multi-layered complexity and demographic breadth. While it offers a slight disruption of the 'productive citizen' archetype by celebrating the protagonist's chosen lethargy, it remains rooted in the social norms of its time. Ultimately, the production adheres strictly to the historical and geographic realities of its setting, offering little engagement with broader social or identity-based diversity.
Category Breakdown
The film does not include any characters with LGBTQ+ identities. The story focuses solely on a traditional marriage without any queer subtext.
Gender roles adhere to conventional hierarchies of the era. The narrative centers on the protagonist's response to the absence of a dominant female figure, rather than promoting women's empowerment.
The cast is predominantly white, reflecting the demographics of rural France in the 1960s. The film does not feature characters with diverse backgrounds or multi-layered stories.
The story offers a mild critique of the traditional work ethic through the protagonist's choice of inactivity. It explores moral relativism regarding social productivity and the 'right' way to live.
There are no prominent depictions of physical or neurodivergent disabilities used as central narrative drivers or plot devices.
Present on Screen
Limited or Absent
Official Synopsis
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

1992

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