
Los Sures
1984
No Poster Available
Representation Score
Good
1967
Director
Peter Emanuel Goldman
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Peter Emanuel Goldman’s documentary serves as a raw sociological study of Manhattan's decay. By moving from Times Square to Harlem, the film intentionally disrupts mid-century urban optimism to highlight systemic inequality. The work excels at documenting racial and cultural realities, providing a significant role in driving the story to non-Anglo-Saxon populations. It avoids the sanitized, polished narratives typical of the era, opting instead for a gritty, observational look at underrepresented existence. However, the film lacks explicit identity-driven narratives. While it captures the symptoms of social breakdown, it provides limited focus on specific neurodivergence, physical disabilities, or clearly categorized LGBTQ+ identities.
Category Breakdown
The film captures the unfiltered social fabric of 1967 Manhattan. However, specific depictions of non-straight relationships are not explicitly detailed.
The film focuses on sociological symptoms like poverty and violence. Women's roles are largely tied to the broader struggle for survival rather than individual character arcs.
By centering its lens on Harlem, the documentary provides high ability to act to characters of color. It documents their lived realities and systemic struggles effectively.
The narrative challenges traditional Western ideals of urban progress. It critiques the efficacy of traditional institutions by highlighting systemic dysfunction and urban crises.
The documentation of tragic drunkenness and poverty often intersects with mental health and substance-induced disabilities. These are treated as systemic realities of the environment.
Present on Screen
Limited or Absent
Official Synopsis
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.

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