The film contains no evidence of LGBTQ+ characters or narratives. It adheres to the era's standard of presenting traditional social landscapes.

Women appear within traditional roles typical of 1940s ethnographic shots. The film reinforces the period's standard of a stable, traditional social order.

The documentary focuses on French-Canadian heritage and Francophone culture. It lacks non-white or multi-ethnic perspectives, presenting a largely homogeneous ethnic group.

The narrative celebrates historical heritage and the legacy of 'New France.' It emphasizes cultural stability and traditionalist appreciation of regional identity.

There is no evidence of individuals with disabilities being portrayed with agency. No characters with visible or invisible disabilities are central to the film.