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Tribulation

Name: Tribulation
Director: André van Heerden
Released: 2000
Duration: 95 min

2000

PG-13

Director

André van Heerden

Runtime

95 minutes

Average Rating

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Synopsis

Police detective Tom Canboro hails from a Christian family. One night, his eccentric brother-in-law Jason seemingly goes insane and tries to kill his wife, calling her a "hater". Canboro realizes this may be a conspiracy going as far as devil worship, but gets in a car crash. Waking in a strange hospital, years have passed and people all over the world are wearing the mark of 666 on their right hands, and those who don't are killed. Franco Macalusso, the believer in global peace, now controls the world, and is trying to bring the world together as it was at the Tower of Babel.

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Diversity & Representation

Overall Score

2.6/10

Limited

Category Breakdown

LGBTQ+ Representation

Limited

The film lacks explicit evidence of LGBTQ+ characters or non-cisnormative identities. The plot focuses on Christian identity and global conspiracy instead.

Gender Representation

Fair

The story centers on male characters, including the protagonist and antagonist. While a female character triggers the inciting incident, she lacks independent agency.

Racial & Ethnic Diversity

Limited

The narrative focuses on a specific religious lineage and provides no details regarding ethnic diversity. It appears to rely on traditional Western archetypes.

Religious & Cultural Diversity

Minimal

The film is rooted in Christian eschatology, using biblical themes like the Mark of the Beast. It positions Western religious tradition as the primary moral lens.

Disability Representation

Minimal

There is no evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.

Strengths

The film provides a clear, focused thematic core centered on Christian eschatology and biblical prophecy.

Areas for Improvement

The narrative lacks diverse character identities, particularly regarding LGBTQ+ and non-cisnormative representation.
Gender roles are limited, with female characters serving primarily as catalysts for male protagonists.
The story lacks ethnic and racial variety, leaning heavily on Western religious archetypes.
The film fails to explore perspectives outside of a singular, traditionalist Christian worldview.

AI Analysis

Tribulation is a traditionalist drama that reinforces established religious and social hierarchies. The narrative is built around theological certainty, framing a globalist movement as a spiritual threat to Western values. The film lacks intersectional depth, focusing instead on a homogeneous social unit and a male-driven conflict. This results in a narrow perspective that prioritizes religious stability over diverse or subversive storytelling. Ultimately, the work functions as a reinforcement of conservative archetypes rather than a disruption of conventional power dynamics.

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