
ReGeneration
2018

2008
PG-13Director
Gilbert Ndahayo
Runtime
66 minutes
Average Rating
No ratings yetSynopsis
April 10th, 1994. Killers stormed a convent in of the small hill towns of Rwanda. They selected two hundred Tutsis from the group and executed them behind this convent. Behind This Convent is the story of from the point of view of survivors who have witnessed the darkest hour of the Rwandan genocide of 1994.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or narratives. The focus remains on ethnic survival and the systemic violence targeting the Tutsi population.
Gender Representation
By centering a convent, the documentary highlights the experiences of women and nuns. This approach challenges male-centric war narratives by prioritizing female witnesses.
Racial & Ethnic Diversity
The film provides exceptional representation by centering the Tutsi experience. It prioritizes Rwandan survivors, offering a vital corrective to Western-centric historical perspectives.
Religious & Cultural Diversity
The narrative explores the tension between religious institutions and state-sponsored violence. It examines the breakdown of social order through the lens of institutional failure.
Disability Representation
There is no specific information regarding the portrayal of physical or neurodivergent disabilities. The film does not provide evidence for this category.
Strengths
Areas for Improvement
AI Analysis
Behind This Convent serves as a powerful piece of testimonial media that centers the agency of those targeted by the Rwandan genocide. It successfully avoids a Western-centric gaze by prioritizing the lived experiences of Tutsi survivors. The film's strength lies in its focus on ethnic identity and the gendered realities of survival within a religious setting. By documenting the massacre at a convent, it provides a nuanced look at how systemic collapse affects specific communities. However, the documentary's narrow focus on ethnic and survivalist dynamics means that other identities, such as LGBTQ+ or specific disability representations, are not explored. The narrative architecture is built around historical trauma rather than a broad spectrum of social identities.

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